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Made in China journal:volume 5, issue 1, 2020

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With these words, the great Soviet poet addressed the key question of how to bring art to people and people to art in a new world in which old aristocracies, elites, and their aesthetic privileges were fading away. In the words of art theorist Boris Groys, ‘the world promised by the leaders of the October Revolution was not merely supposed to be a more just one or one that would provide greater economic security, but it was also and in perhaps in even greater measure meant to be beautiful.’ Walking in these steps, the Chinese Revolution was a project of further experimentation and creation in the realm of the relationship between art and the people. The world it created was at once utopian and disfigured, radiant and desolate. While today that world is no longer, the questions it raised about the relationship between the working class, artistic production, and aesthetic appreciation remain with us. This issue of the Made in China Journal offers a collection of essays that examine the ‘work of arts’, intended as the extension of art beyond the confines of the museum and into the spaces of ordinary life and production.

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Informasi Detail

Judul Seri

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No. Panggil

951 MAD m

Penerbit

Acton : ANU Press., 2020

Deskripsi Fisik

232p. : ill.

Bahasa

English

ISBN/ISSN

22069119

Klasifikasi

951

Tipe Isi

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Tipe Media

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Tipe Pembawa

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Edisi

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Subjek

China
Social sciences
Arts and society
Business and Management

Info Detail Spesifik

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Pernyataan Tanggungjawab

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Versi lain/terkait

Lampiran Berkas

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